In A Moment Of Self Discovery English Literature Essay

In A Moment Of Self Discovery English Literature Essay In Henrik Ibsens A Doll House, Nora experiences a quick epiphany at the dà ©nouement of the play; this moves the plot forward into the resolution (at least for Nora). This final scene is compressed into Aristotles Theory of tragedy of a complex plot. The actions between Nora and Torvald surprise the audience in several manners, while continuing the story. The act of reading Krogstads second letter received by the maid contributes to preipeteia. This occurs because Krogstad produced a letter of amnesty, an effect opposite to which he intended to produce, originally wanting to expose Noras debt to him and longing for Helmers new job. This event expedites the next, anagnorisis, allowing Noras epiphany to take place, producing conflict between herself and Torvald. Noras new perspective places Torvald into confusion, trying to understand her personal revelation: HELMER (sitting at the table directly opposite her). You worry me, Nora. And I dont understand you. HELMER. How do you mean that? HELMER. Whats that?  [1]   The affect of a complex plot, or the cause-and-effect chain led to catastrophe. In terms of A Doll House, Nora leaves, slamming the door shut, abandoning the suffering Torvald; thus, bringing the complex plot to an ending. Antigone, in addition has a moment of anagnorisis in her final soliloquy of Sophocles Oedipus trilogy. She realizes that no one is there to save her from her metaphoric death, or literally the entombment. Seeking help from man and gods, she receives nothing but sympathetic feelings from the Theban elders; perhaps being victim of the Oedipus family curse. Having been abandoned by all, her personal dirge outlines her sacrifice for her brother, the hypothetical actions performed with a future husband (Haemon) and children, the love of her family, and a curse upon Creon. Acting upon the peripeteia of Creons punishment in the third episode, her soliloquy provides a chance of self-discovery in the next episode of the play. This chain of effects creates the catastrophe within Antigone, leading to Creons suffering of both Haemons and Eurydices death in the exodos. Antigones epiphany of loneliness affects the plot because of her own death and the curse set on Creon. His grievance over family suicides progresses the plot, feeling ashamed for all he has done. Comparing both tragedys they use anagnorisis in the female protagonists, later influencing plot. In Aristotles view, plot is most important priority of a tragedy. Seemingly, both plays use a complex plot structure in the lusis of action. Ibsen compresses this unravelling in the last ten pages of the tragedy, compared to Sophocles expanded over six separate scenes. The agency of self-discovery is defined as the change from ignorance to knowledge and Nora goes through a much more rational process than Antigone. Noras naivetà © stems from how she is treated as a woman. Her knowledge is gained through and used against Torvald, explaining her stream of consciousness before leaving the family. Noras epiphany has a smaller affect on character and plot outcome, as Antigones anagnorisis is overwhelming with the affects ranging for the rest of the play. At first, our Greek protagonist assumes that burying her brother Polynices is justifiable through the gods, however earthly laws state it is illegal. Therefore, when she is brought back to Creon to hear her final outcome, a life and death situation, her mindset changes. Accepting her actions and the chaotic environment around her, she kills herself so she can be with her loving family. Nora and Antigones anagnorisis leads to more actions, the catastrophe; however, it is Antigones reaction to it that stands out because it leads suicide. In addition, the effect of the female self-discovery affects their male opposite detrimentally. In A Doll House, Torvald is left sitting alone, bewildered. in contrast Creon is left with no family. His son and wife are dead. The use of anagnorisis in A Doll House and in Antigone develop the plot, but it is Sophocles Antigone that dramatizes the affect of self-discovery, leading to multiple deaths and Creons sorrow. Comparison between plot development/complexity Characterization with self-discovery Nora She wants a new life with a real meaning She can only have a real life outside of the house, Within the house she is trapped, she doesnt like Torvalds care for her Her epiphany stems from the way Torvald acts, and what he said He is not emotionally devoted to her But it devoted on how he can play with or handle her life, like the father Transforming into a new woman, with her new found independence She cannot stand being controlled anymore Characterization through inner thoughts and feelings that are expressed through dialogue Torvald initiates her stream of consciousness and reasoning She becomes stronger as an independent woman Challenging society and Torvald/rules The conflicting views of honour and women Antigone Her self-discovery only contains anagnorisis She realizes that she is alone and cannot be saved by anyone In normal spoken verse, a solliliquy is said by her Recollecting on the main thoughts on the tragedy of this play Burying her dead brother sending him to the underworld, in return she dies because of her unlawful actions Although respecting the gods, she didnt receive the same respect on earth Compare and Contrast the characterization effects Conlcusion!!!